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'If it takes off, as it should,
this could be
the most important comic
of the decade'
-
Time out 1988
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Crisis
was Fleetway's politically charged publication from 1988, which
dared to
drag mainstream British comics kicking and screaming
into maturity. At least,
that was the plan. It was launched as an off-shoot
from '2000ad' and sported
the tag-line '2000ad presents...' above its
title, and several of that comic's
artists and writers let their imaginations run
loose on the new publication.
For the first fourteen issues, readers were
presented with two big strips.
Pat Mills and Carlos Ezquerra's 'Third World War'
focused on a student, Eve,
who is forcibly enlisted and thrown into the melee
of a multi-national war against
poverty. Incredible to see this comic strip
tackling a subject that now, a decade
-or-more later, is the center of attention around
the world. Then there was 'New
Statesmen', by John Smith and Jim Baikie. This
one focused on new genetic
'supermen', known as Optimen, engineered to be
the ultimate super-weapons.
Again, genetic reasearch is one of the new millenium's
main points of political
debate, is it not?
More top strips followed from some equally-top
talent. There was 'Troubled Souls',
by Garth Ennis and John McCrae which was set in Belfast,
and Ennis teamed
with Warren Pleece to give us 'True Faith',
which looked at religion and belief
through modern young eyes. 'Third World War' returned
for 'Book II' and 'Book III'
and by the end of the comic's second year we
even had Grant Morrison's
'The New Adventures of Hitler' to stimulate debate
and discussion.
After issue 49, Fleetway decided to adapt 'Crisis'
in to a new monthly format.
Now we were presented with selections of stand-alone
strips each month,
as opposed to those on-going tales. 'Crisis'
was no comic now, rather it
became an underground magazine, relying on its creative
talent to draw
in the punters. Sadly, it was wound up after
just fourteen more issues.
'Crisis' certainly had the talent available,
so where did it fail, exactly?
Well, it certainly didn't embrace its readership.
From the very first issue
readers were simply dropped into the strips with
ne'er an explanation and
the most scant of editorial prologues. There
wasn't even a welcoming page
from the creative team, celebrating this new
fortnightly title and setting out
its aims. The comic appeared to be preaching to the
pre-converted. Indeed,
a year down the line it still lurked half-heartedly
in the shadows on newsagents
shelves, waiting to be 'discovered' by a wider readership
who probably didn't
know it was there for them. And worse, when they
did eventually pick it
up, they must have felt they were arriving late
to a party to which they
were never really invited in the first place!
Presentation aside, this comic was certainly a brave
stab at something
mature, and it should be applauded for drawing new
talent out of the
underground and on to the periphery of mainstream
success, and equally,
allowing established artists and writers to bring
new themes and darker
subtexts in to Britain's newsagents. One suspects
it opened the door to
the likes of Vertigo; DC Comics' more sophisticated
British cousin which
launched back in the 1990s. But 'Crisis's failure
to engage the masses
was a crying shame, because the quotes and reviews
were actually right:
It could have become the most important comic of
the decade...
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On
the web
2000ad
Online
http://www.2000adonline.com/index.php3?zone=covers&page=crisis
Rebellion keep the 'Crisis'
memories alive with this splendid covers page.
Every edition is here, handsomely
scanned and presented...
Crisis
- a 2000ad publication
http://members.fortunecity.com/ukko/crisis.htm
Chronicling the 'Crisis' history
here from birth to death. There are
details of all the strips and developments
along the title's timeline...
a
Crisis page
http://www.bry.fast.co.za/~stuartm/rave/cypunx/comix/crisis.html
All the developments with
the title are identified here, together with
strip credits and a smattering
of small scans too...