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...cartoons, animation, comic strips and puppets in the UK |
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"He knows everything about nothing, and not too much about that..." "MII-O-O-O-O-O-O-O-O-O-O-O-W!" Henry's Cat was a mellow yellow feline with a penchant for cakes and party food and forty winks. He seemed to spend an awful lot of time thinking, and too little time actually doing. But you know, pondering the world can be very hard work... If Henry was the thinker, his best friend Chris Rabbit was the doer. Chris was a bouncing blue bunny who was full of beans and ever-keen to fulfill Henry's potential. Which was just as well really, because Chris' own potential appeared to have been misplaced somewhere - probably on Farner Giles' farm, from whence the rest of Henry's friends had arrived. Amongst the troupe were Pansy Pig, Denise Duck, Mosey Mouse, Douglas Dog, Ted Tortoise, Phillipe Frog, and Myrtle the Cow. Then there was mean old Constable Bulldog, who appeared keen to clobber what little sense the gang had out of their heads and away over the duck pond... For the record, our titular star belonged to someone called Henry, but we never actually saw the mystey owner in these films... Henry's Cat was the third and, in Toonhound's humble opinion, the best of Bob Godfrey's three key tea-time series (number four, by the way, was the Bunbury Tales produced in 1987). Yes that flies in the face of critics and pundits, who indeed often place Henry third on their 'nostalgia' lists, but that is arguably because they've been focusing so heavily on their own childhood recollections from the 70s, whilst Henry was an 80s creation who arrived on our screens when many of those pundits had presumably given up on tea-time tv in favour of school discos and extracarricular beer and cigarettes. As created by Stan Hayward, Henry manages to be droll, astute and cute at the same time. His physical construction is also brilliant. Look down the features of his face, from his ears to his mouth. It spells 'M-I-O-W'. If you don't believe me, check out the first Henry's Cat DVD (more of that below...)
Know your Henry's Henry's Cat evolved considerably through production of its three series. Series one and two were composed mainly of 5 minute episodes animated using felt pens on white backgrounds, much like Roobarb. There was a theme change between the two series, with Peter Shades' 'miowing' music being replaced by a new 'miow' based track from John Hyde. The opening to season two episodes now featured an animated Bob Godfrey Films logo with Henry 'miowing' like Clarence The Lion in those classic MGM idents. The end titles were redesigned too. In series one, Henry climbs down a ladder, closely followed by his falling rainbow paint pot. In series two, we see him resting casually against a picnic table with a pot of tea and a scrummy blancmange waiting for him, only he upends the table and its contents upon himself. By the end of that second series, episode lengths had been extended to 15 minutes and, more importantly, Henry and the gang had shifted from felt pens to cel-based animation. A wholly sensible move, given the amount of marker pen it would have needed if the team had stuck with paper!... The third series ushered in a whole new production style, presumably to break the American market. There was a brand new 'americanised' theme song from Jonathan P. Hodge and the focus of attention shifted from Henry and friends, to that of Henry and his best friend Chris Rabbit whose adventures and shenanigans regularly took them to the US of A to run for President, or rescue Santa Claus or something else just as ludicrous. Even Bob Godfrey himself got in on the act, adopting an american 'twang' for his narration - quite a feat, considering his voice is so distinctly london-via-australia, and adding an extra dollop of wit to proceedings. This third series is an extraordinary melting pot of wit and technique. The Godfrey crew expanded to incorporate a bigger writing team and a trace and paint department. Each episode is now stuffed-to-bursting with storyline, which moves at a lightning pace, just like the very-best of Godfrey's short film work. The plain white backgrounds are regularly replaced with b/w photocopy montages, colour photographs and cut-outs. Godfrey himself even features in 'The New President', where he's shown boxing an animated kangaroo! There are songs, much sarcasm, tongue-twisters and one-liners a-plenty, and if you blink you'll probably miss half a dozen, like this one: |
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"He had had the American Dream, but sadly, he'd forgotten to wake up..." |
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The
breadth and scope of these series are currently captured on two |
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©
Bob Godfrey Films Ltd and Stan Hayward / F2000-2007
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