

Noir Ha-Ha (08.06.10)

My review was seriously late. I felt the editor's eyes frowning
over
my shoulder, which put the wind up me when I remembered,
I had
no editor. And no deadline, save for the one I gave
myself.
Toonhound had always been one a one-pup show. It was just
the way I liked it. No one else's nose in the dinner
bowl. I got
all the kibbles for myself. Still, I'd made a real dog's
dinner of
things as I grappled with the best way of approaching
my latest
book review. Good
Dog, Bad Dog
by Dave Shelton was a crime
noir comic book anthology, starring a pair of dawgie
detectives
from the pages of "The DFC". It demanded a
different approach.
Something off the leash. But how to go about it?
At last, inspiration struck me like a disgruntled dame.
Take your
cue from Sam Spade, just like Mr Shelton. Add some noir-ha-ha.
Grab his shovel and don't stop digging you've dug a hole
deep
enough to bury the corpse of your lame endeavours...
Erm. But all joking aside, this review is seriously
late. "Good Dog,
Bad Dog" was actually the inaugural DFC Library release
that
hit stores before Mezolith,
at the tail end of March.
Yes, March.
Anywho, we've got there at last, and we're happy to
report that
"Good Dog, Bad Dog" is a rollicking good 64-page
read. Mr Shelton
drops us in to the heart of a crime-riddled Muttropolis,
where
hard-boiled detective Kirk Bergman and his new milkshaking-loving,
clown-footed partner McBoo tackle a host of shady crooks,
gangsters and underworld bad guys. There are three adventures
in this compilation, so we get to see Bergman and McBoo
thwarting
a pair of dastardly bank robbers, retrieving a precious golden
bone,
and tracking down a missing muff-faced chef. And there
are actually
plenty of noir ha-ha's to be had (and milkshakes) as they
confront
the canine underworld and take the bad guys to task.
There's
lashings of well-timed slapstick here - it's like a
Dogsy Malone
at times - and there's a three-panel backstory behind
that Lost
Bone of Alexandria that's worth the RRP all on
its own...
If you've got this far and you don't have a clue what
we're talking
about when we refer to this bizarre DFC thingy, I'll
remind you
that "The DFC" was a subscription-based comic
weekly put
together by David Fickling, of David
Fickling Books. The
comic only ran for 43 issues, but it was rather well-reviewed
and
the contributors were promised another bite at that
big comic
cherry when Mr Fickling declared his desire to repackage
their
strips as an ongoing series of library editions, in
the hopes of
enticing UK readers into long-form comics, like their
cousins
on the Continent who've been doing that kind of thing
for
decades ....
Dave Shelton and his Fickling associates Kate Brown
(Spider
Moon )
and Ben Haggarty (Mezolith
) were interviewed at Panel
Borders,
around the time of the launch, and it's fascinating to
hear that "Good Dog, Bad Dog" wasn't actually Dave
Shelton's
first-choice comic strip for "The DFC". He
had originally pitched
three ideas for the gig. Two were dropped pretty quickly,
but
one had already been signed up when fate intervened.
"The
Guardian" wanted to run a series of DFC strips
concurrently
in their weekend editions, and his strip didn't fit
the format, so
he was encouraged at very short notice to come up with
a new
idea. He thus turned to an old sketchbook for inspiration
(Dave does
like his sketchbooks), where he'd written down
the titular phrase. It was something he'd noted whilst
living in
a house in which the landlady had two dogs, one of which
he
liked and one he didn't.
So now he had a title, and a thought that something spoofing
all
those classic film noirs might be fun. When it was accepted,
he
was left to develop a whole new strip on the fly - something
he
believes has served him very well, because he's been able
to
avoid the pitfall of labouring too much over a concept. And
he's
quite right because the finished strip is very nimble on
its feet,
unlike poor old McBoo!
If you're looking for something fun and frivolous for
a younger reader,
maybe a youngster who's recently discovered the joys
of Asterix
or Tintin, then you should steer them to Muttropolis,
and indeed,
David Fickling's library of anthologies are just the
ticket for turning
young eyes towards a wonderful world of comics that
doesn't
consist of angst-ridden superheroes, or great corseted
girls with
guns. You know, there's a whole pack of alternative
comic
creators out there, just waiting to have their tummies
tickled...
More:
The
DFC Library
Dave Shelton
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