Ah, the glorified delights of war... Not too long
ago, war strips with gung-ho
British soldiers battling the Bosch or the Hun, were a
regular feature in our
weekly comics. The exploits of many of these gun-toting
heroes, warriors
and mercenaries might be considered a bit off by
some of today's
new readers, hardened by the realities of modern warfare which
are
plastered across our tv screens, and streamed live
on our laptops,
but back in the day, they were as commonplace and everyday
as the
triumphant Hollywood war movie. And the hankering
for this particular
breed of Tall Tale simply has not diminished
with time.
As any eagle-eyed visitor to WH Smiths and its
contemporaries will tell
you, can still find that old pocket-size spectacular
"Commando"
nestled amongst the hotchpotch of Marvel editions
and Bongo comics
reprints, and there are a whole bunch of fabulous
reprint
compilations
currently selling very well indeed in Waterstone's
and Borders.
So it's no surprise to learn that Egmont UK have
now jumped on the
proverbial war wagon. They've just launched a
special celebrational
compilation of strips from "Battle Picture Weekly"
(52 pages for £3.99,
on sale now at WH Smith's), which means we can
salivate the
the return of D-Day Dawson, Danny Budd aka the Bootneck
Boy, and
Fleetway's very own Dirty Dozen, The Rat Pack,
twenty one years
after their last weekly engagement.
"Battle" was Fleetway's war-fueled flagship
title, first published in 1975 as
a direct response to DC Thomson's "Warlord" and
the then fledgling
comics duo of Pat Mills and John Wagner were hired
to put it all together,
with Carloz Esquerra, Mike Western and Joe Colquhorn
drawing strips
for the title. So there were/are some damned fine panels to
get your
gritted teeth into, perhaps most notably, the ones
on show in
"Charley's War", which has already been granted
its own extremely
popular standalone
volume, of
course.
"Battle" is actually the second in Egmont's
Classic Comic revival, and
it's followed swiftly on the heels of their recent
"Roy of the Rovers"
compilation. "Buster" and "Misty"
compilations are coming soon, too,
as Egmont continue to mine the Fleetway library
they bought in 1991.
And if this Egmont tester whets your war buds,
you'll be even happier
to hear that Titan Books are soon to publish an
even meatier compilation.
Look out for The
Best of "Battle": Volume One
in book shops any
moment now!...
The Hound's just caught up with the Annecy
award winning music video
for Flogging Molly's "Float". And it's
a beauty, so it is:
Gets you, right there, doesn't it? - Film makers
Karni & Saul
have really
bottled that special Irish spirit in their depiction
of a down-on-his-heels
cotton bud man, dragging himself through the days,
from the streets to
the ocean, accumulating all that baggage en route.
By the time he's
plunging into the waves you're right there with him,
hauling yourself
through the surge as the vocals brim with defiance...
Yep... This is
what a great music video is all about...
Speaking of Annecy, I'm not sure what happened,
but The Hound's
round-up of news from this very special annual
get-together somehow
went astray this year. So just to confirm "Float"
won Karni & Saul the
award for Best Music Video. And our other big
UK award winner was
Philip Hunt and Studio
AKA's adaptation of Lost
& Found, which was
given the Best TV Special award. This is Oliver Jeffers'
story of the boy
and the lost penguin which aired on Channel 4 over
Christmas.
It's a lovely tale that creeps up on you as you're
watching until
you find yourself in inexplicable floods of tears
at the end.
And it's another thoroughly deserving winner,
methinks...
The
Gruffalo
has to be the most popular picture book of recent years.
Julia Donaldson and Axel Sheffler's best-selling
tale was first published
in 1999 and has now sold over 4m copies worldwide.
So it's no surprise
to hear that an animated version of the story
is on the way...
Magic
Light Pictures are producing a Gruffalo half-hour special, which is
all set to air on the BBC this Christmas. The
model and CGI film is currently
being animated at the award winning Studio
Soi in Ludwigsburg, Germany
under the stewardship of directors Jakob Schuh
and Max Lang, and
the voice cast includes the likes of Helena Bonham
Carter, Rob Brydon,
Robbie Coltrane, James Corden, John Hurt and Tom
Wilkinson.
And if it's a hit - and let's face it, if ever
there was a dead cert for
a hit special, it's this - then you can bet we'll
see a follow up,
because Magic Light also hold the film and ancillary
rights to The
Gruffalo's Child...
Time to rub your hands together with grim dribbling
glee, because Grizzly Tales for
Gruesome Kids is making a curdling comeback,
thanks to folks at Nickelodeon. As part of a just-struck
deal with Sara
and Simon Bor and Honeycomb
Animation all 79 original episodes
are going to be aired on the channel next year, followed
by the premier
of 26 newly-commissioned cautionary tales
in 2011.
Honeycomb Animation's BAFTA-nominated series was,
of course, based
upon the popular books by Jamie Rix. And, wouldn't
you know, there's a
new collection currently available in the form of A
Grizzly Dozen,
which
was published at the start of the month. So that's
new stories and new toons to get your cackling teeth
in to!...
Well,
these three beauties are up for grabs via an auction for The
Willow Foundation,
the charity that puts together special days for special people
aged 16 to 40. There are a stack of fab celebrity
endorsed teapots in their Stars
on Teapots online event. Here's a little more press spiel:
"The
small teapots (10.5cm high x 18.5cm long approx) have
been created in association with the Pottery House
Café based
in Hove. As well as the one-off creations by celebrities
and
artists, a selection of teapots have been donated
from London's
leading hotels, best known for afternoon tea.
The teapots will be auctioned online from Thursday
25 June
2009 (closing on Sunday 5 July) - marking the end of
the
charity's Piece of Cake campaign and helping to raise
valuable
funds that will help the charity to provide special
days for
many more seriously ill 16 to 40 year olds...."
You can check out all the amazing teapots on the foundation's
web
site. But more importantly, if you're at all interested
and you've cash
to spare: get
bidding!
At last! - The first part of Garen
Ewing's long-gestating work of comic
strip brilliance, The
Rainbow Orchid
is published by the fine folks at Egmont
this August. Drawn in the European ligne claire
style, Garen's rip-roaring period
adventure sees young Julius Chancer and friends
taking off around the world
in pursuit of an infamous mythological flower,
with an ensemble of ruffians,
roustabouts and ne'erdowells in hot pursuit. In other
words, we're in the
same classic territory as Herge
and Edgar
P Jacobs.
According to the author, there are:
"...no
zombies, no bikini-clad gun-toting nubiles, and
no teeth-gritting... grittiness. Just a huge slice
of
pure adventure, made to go with a big mug of tea".
Being the humble artisan that he is, however,
Garen neglects to add that
his strip is completely fantastic, and immediately
transports the reader back
to those giddy times spent hidden under the bedcovers,
as a ten year old,
with a winking torch and a dog-eared copy of TinTin's
globetrotting
exploits in hand.
Yep. It really is that good.
Do yourself a favour and pop by Garen's
web site for lots more on
his comics work, the book, and its painfully-long
development. It's
been a protracted labour of love... and the result,
well, it's truly
outstanding...
Last year, just before the Egmont deal came together,
Garen put together
a fantastic collector's edition Orchid book, to help
promote his efforts.
Only 52 were printed up, and number 17 has pride
of place in The Hound's
comic book collection. It even came with a signed drawing
of Julius on the
preface. And now, as the big, fully-fledged, mainstream
publication day draws
near, Garen is promising us even more collectable goodies
- signed editions
and a very limited giclee print. You can bet The Hound
will be first in line
for both of them...
But on top of all that, there's an even more important
reason for
trumpeting "The Rainbow Orchid" today,
because - gawd bless him -
Garen's celebrating his 40th birthday. So Happy Birthday,
Garen, and
here's to a hugely successful launch in 60 days... and
counting!
Crumbs, chief. Star
Editions have just unveiled a rather smart selection
of affordably collectable DangerMouse etchings
for folks to sneak off
with.
There are 13 different images available. Each print
measures either
28x35cm, or 35x28cm, depending on its orientation,
and they're restricted
to just 500 editions. Best of all, they're retailing
at pocket money prices,
which means you won't have to break the bank to
buy 'em!
Star Editions list a bunch of retailers in their
links section,
but The Hound says you can't go wrong if you drop
by our friends
at Lollipop
Animation...
If you're Durham-bound this Summer, you might
want to take a detour to
Barnard Castle, and the famous Bowes Museum. That's
because they're
currently showcasing a fabulous Toy
Tales exhibition. It's a celebration
of 60 years of BBC tv for kids, and amongst the
goodies on display are
Peter Firmin's original Bagpuss,
Clangers and Ivor
the Engine props and
artwork. Former Bagpuss artist Linda Birch has
her storyboards for the
series on display, and Alan Rogers' has his original
Pigeon Street and BOD artwork on
view, alongside his newly-rediscovered and unmissable
original Flumps
puppets... Oh, and there are Paddington
goodies, and
Watch With Mother bits and clips, and workshops and...
well...
This all sounds great, doesn't it?
The Toy Tales Exhibition launched 9th May, and it runs through
Summer
and Autumn, to 1st November at The
Bowes Museum, Barnard Castle,
County Durham...
This is insane. You wait ages for the next big UK
animated film
announcement, only to find not one, not two,
but three movie projects
getting fanfared in the very same week!
In the red corner, we have Aardman
Animation who, earlier this week, announced
that they have two animated features in development as part
of their production deal with Sony Pictures. The
first is a stop-motion
adaptation of Gideon Defoe's "Pirates!"
book series. Now these are fab
books. Great rollicking fun, in a Terry Pratchett-y
kind of way. They're
hugely eccentric, and would make for a terrific
and quirky adaptation.
Peter Lord and Jeff Newitt will co-direct the
film, which will be
based upon The
Pirates! In an Adventure with Scientists
in which
our jolly band of ne'erdowells travel to
London, encounter Charles
Darwin and a talking chimp, dress up as
women and general bring
chaos and disorder to the order of species...
Aardman's second feature project is titled
"Arthur Christmas".
It takes on that most curious of questions:
How on earth does
Father Christmas get to deliver all of those
presents in just one night?
Sarah Smith and Barry Cook will direct this
one, which will apparently
be filmed using computer animation (see
Flushed Away).
And on we now go to today's big news announcement,
which involves Ricky
Gervais and those wibbling, wobbling Flanimals.
Remember them?
They were a book, at first, written by Gervais
and illustrated by Rob
Steen. Then they became limited edition
figurines - that's The Hound's
very own Puddloflaj, above - and we had
news of a proposed tv series,
which was going to be brought to life by
the talents behind The Trapdoor.
And now, three more books later, we're apparently
getting a feature-length
adaptation. Illumination Entertainment, who are
based with Universal,
will be bringing those outrageous creatures to
life using 3D animation.
The film's producer is Chris Meledandri who has
"The Simpsons Movie"
and "Ice Age" on his credits. So this
one's not strictly Brit-news, but
there is that Gervais/Steen connection.
It could be an interesting
adaptation, this one. There's no word if
they're going for a straight
narrative/drama, or whether they'll opt
to do a mockumentary, like
some alternative Attenborough film, which
could be a hoot as well
as being topical. After all Earth
is currently raking in some tidy
box-office dollars, Stateside...
A
perky disc (22.04.09)
Better get ready - let's go! - here's "The
Pinky & Perky Show"...
er.. on
DVD...
This really shouldn't work, you know. The
Pinky & Perky
Show
is a computer generated updating of a teatime
puppet classic that
has no right to be as good as it is. But it's
a funny show, with lots of
giggles to be found left, right and center and
at the heart of it are
those two piggies we know and love from the past,
bickering and
bantering and as brilliant as ever. Sure, a lot
of it has changed.
The strings are gone. The live-action has gone.
But the spirit of the Dalibors
is still right there. Gawd bless those piggies.
They love to hate each other as they run rings
around the folks at
at PPTV. The design's spot-on too. It's retro-modern,
and this viewer
is inexplicably reminded of those TV Comics of
the 60s and
early 70s - which is probably the idea...
Okay, we can all scoff at the trend for remaking
classic toons and
reimagining tv characters from days gone by, and
let's face it,
The Hound has had his own tuppence to add to the
debate over
the years. But it is indisputable that a number of
these upgrades
have been very successful indeed. Bill
& Ben were flobbadob-tastic. Basil Brush
has divided folks, although this viewer thinks he's
terrific. And Captain
Scarlet had a CGI makeover that seemed to
go down very well indeed with most Anderson fans.
Now we
can add Messrs Pinky and Perky to that list.
Well, that's The Hound's view. But you can judge
the show for
yourself by watching their new DVD. License
To Swill
was
released by ITV Worldwide on Monday (20th April)
and features
eight oinking tails... er.. tales...
How sad it is to witness the demise of The DFC
- in its current guise,
at least. It appears to have been a victim of
these uncertain times,
more than anything else. But undoubtedly, it's
been a huge jolt in
the arm for the UK comics scene, and it's brought
a wealth of cartoon
talent out of the small press woodwork and into the
mainsteam.
Which is something to celebrate. Why, even The Hound has
been inspired
enough to dust down his old drawing board. And if The Hound's
been inspired, well, you can bet a whole bunch
of those DFC subscribers
have also got themselves worked up enough to pick up
a pen...
If you think back to the giddy heydays of DC Thomson
and IPC/Fleetway,
those top weeklys stuck quite religiously to a house "style"
throughout
their strips. But The DFC has bravely presented
an array of styles and
tones to its readership. Each strip has had its
own voice. That's been
so exciting for this reader to see. And inspiring,
because it encourages
folks to think outside the box, as it were... Look
at this... Look what you
can do... The possibilities are endless...
Who knows, maybe a whole new generation of cartoonists
will look back upon those 43 issues of The DFC
as being the
birth-point of their career...