"Once
upon a time, or maybe twice, there was an unearthly
paradise called Pepperland..."
In
this Pop Art extravaganza, an aged sea Captain, Old Fred teams up
with
animated versions of those pop-rock legends
The Beatles to take us on
a Magical Musical Mystery Tour onboard the
aquatic vessel of the title track.
Here's the story:
The subaquatic realm of Pepperland lies 80,000
leagues beneath the sea.
It's a harmonious place, protected by the
musical spell of Sgt Pepper's Lonely
Hearts Club Hand. But the band and the
realm have now been overrun by the
tyrannous, music-hating Blue Meanies.
Old Fred is thus dispatched in that
Yellow Submanrine to get some musical
assistance, and free the land of
tyranny. Fred travels to Liverpool
where he happens across Ringo, and soon,
he and John, Paul and George are setting
sail on a fantastic voyage through
the psychedelic seas of Tim, Science,
Monsters and Holes (wherein they
befriend Jeremy HillaryBoob PhD - The Nowhere
Man) before they arrive
at Pepperland for a musical showdown with
those maniacal Meanies...
The plot may sound completely bizarre,
but the film itself is an absoloute
triumph of wit, wonder and musicality. Freewheeling
imagery tumbles across
the screen in a variety of media as
the Beatles songs take flight. The
film is bursting with what is now considered
iconic imagery from those
hedonistic days - the screeching Meanies
with their elongated Mickey
Mouse hats, their Flying Glove, that
submarine, and the Fab Four themselves.
Once seen, they and the movie are simply
never to be forgotten...
"Yellow Submarine" was the
first animated feature to star real people in
animated form. It famously went into production
without a final script, or a
final storyboard. Pre-production and development
lasted 13 months,
running through 14 different script drafts
and utilizing 40 animators and
140 technical staff. The actual shooting
period was then condensed
into a frantic 11 month schedule.
Producer Al Brodax had previously produced
40 episodes of ABC's Beatles
TV series when he got the greenlight for
the feature. German poster artist
Heinz Edelmann was brought in to create
the film's amazing Pop Art look,
which incorporated the influences of 60s
artists Andy Warhol, Peter Blake,
photographer Richard Avedon and surrealist
supremos Magritt and Salvador Dali.
Look closely during the "Eleanor
Rigby" sequence and you'll see photos of the
production team incorporated into the scene, including
Al Brodax (man with pipe),
Dunning and Edelman (men with umbrellas),
Alison De Vere (girl taking a snapshot)
and even the landlord of the crew's favourite
pub (man in phone box, man
with leaping dog).

There are 16 Beatles songs in the film,
including 5 specially written for the
soundtrack, these being:
"It's all too Much"
"Baby, You're A Rich Man"
"Only a Northern Song"
"Altogether Now"
"Hey, Bulldog"
The latter was actually edited from
the initial American release, and
wasn't reinstated until the film's 30th
anninversary rerelease in 1999.
That release sparked something of a
mini-revival of interest in the film,
which brought us a handsome DVD, a selection
of brilliant action
figures and models from McFarlane Toys, china
tea sets, cookie jars
and much more...
"Yellow Submarine" is a technical
marvel. It melds live-action photography
with animation, reinvents the technique of rotoscoping,
experiments with an array
of lens and filter effects, toys with the
rules of pacing and narrative and produces
a glorious animated rainbow of tricks
and delights which still influence today...

Speaking of influences, the film has
been refrenced by a plethora of tv shows
and films since its first appearance. Here
are some of the animated nods
to look out for:
Abba
To Zappa
ad campaign (2004)
This award-winning commerical and
poster compaign for The Observer
Music Monthly takes us on an A to Z
of the music world, with famous bands
and performers for each letter rendered
as miniature Kubrick-types.
In the animated advert, The Beatles represent
the letter B, and
are depicted in their Sgt Peppers outfits.
One quick nod of the head later
and we see them being despatched onboard
their sublime Yellow
Submarine...
The
Simpsons - Season Eight
(1996/1997)
The episode "El
Viaje Misterioso de Nuestro Homer" is a Beatle-referencer's
delight which includes a reproduction of
the pyramid from Pepperland, and
indeed, the story might actually be an adventure
through Homer Simpson's
very own imaginery Pepperland...
The
Simpsons -
Season Four (1992/1993)
In the episode "Last
Exit To Springfield", Lisa has an out of body
experience at the dentist in which she
witnesses a missing scene
from the film...
Noel's
Fantastic Trip (1984)
Now here's a real cartoon curio. Japanese
folk singer Iruka gave voice to this
mimicking musical adventure in which
a young tomboy girl takesoff on a
crazy flight in a miniature propeller
plane. At one point mid-way, she even
encounters the Beatles and their submarine, under
the sea, in all their
Pop Art glory...
In
the news
The
Hound: April 2004
Yellow Submarine picture book forthcoming...
Yellow
Submarine on DVD
Yellow
Submarine
Region
2 / MGM / February 2000
Yellow
Submarine
Region
1 / MGM / September 1999
director: George
Dunning
producer: Al
Brodax
assiciate producer: Mary
Ellen Stewart
prod supervisor: John
Coates
art director: Heinz
Edelmann
special sequences: Charles
Jenkins
prod coordinator: Abe
Goodman
screen story: Lee
Minoff
screenplay: Lee
Minoff and Al Brodax
Jack
Mendelsohn and Erich Segal
from
an original story by Lee Minoff
based
upon a song by John Lennon
and
Paul McCartney
musical director: George
Martin
starring: Sgt.
Pepper's Lonely Hearts Club Band
animation directors: Jack
Stokes, Robert Balser
additional sequence
director: Edrich
Radage
live action
sequence director: Dennis
Abey
animation:
Alan Ball, Reg Lodge, Tom Halley,
Dave Livesey, Duane Crowther
Rich
Cox, Cam Ford, Mike Pocock,
Geoff
Loynes, Mike Stewart,
Malcolm
Draper, Ted Percival,
Lawrence
Moorcroft, Dennis Hunt,
Arthur
Humberstone,Anne Jolliffe,
Tony
Cuthbert, Paul Dreissen,
Hester
Coblentz, Dick Horne,
John
Challis, Diane Jackson,
Geoff Collins, Gerry Potterton
Chris
Caunter (special effects)
animation clean-up: Ted
Lewis (supervisor)
Ian
Cowan, Richard Dakin,
Christopher
Miles, Ray Newman
trace & paint
supervisors:
Helen Jones, Corona Maher,
Janet Hosie, Margaret Geddes,
Jenny
Brisbane, Susan Brown,
Susan Gibbons
background
supervisors: Alison
De Vere, Millicent McMillan
design: Jon
Cramer, Dick Sawyer
layout artists:
Gordon Harrison, Ray Aragon,
Peter Arthy, Jack Daniels, Alan Grey,
Ted
Pettingal, Gill Potter
background artists: Jenny
Aldridge, Arthur Button,
Malcolm
Dakin, David Elvin,
Paul
Francis, Ian Gordon,
Caird
Green, Clare Greenford,
Muriel
Jennings, Martina Selway
editor: Brian
J. Bishop
dubbing editors:
Donald Cohen, Ken Rolls
dubbing mixer: Hugh
Strain
camera operators: John
Williams
Richard Wood, Bev Roberts,
Graham
Orrin, Rex Neville,
Alan Foster, Malcolm Livesey,
Ian Letts, Tony Hanes
administration: Peter
Franklin
assistant: Norman
Kauffman
prod assistant: Sally
Hyman
assistant editor: Torquil
Stewart
produced
at the studio of
TVC
London
voices: John
Clive (John)
Geoffrey
Hughes (Paul)
Peter
Batten (George)
Paul
Angelis (Ringo, Chief Blue Meanie)
Dick
Emery (Lord Mayor, Nowhere Man, Max)
Lance
Percival (Old Fred)