"That's it Gromit... cheeeeese....
     We'll go somewhere where there's cheese!"
 

     It's Bank Holiday and in the snug confines of his West Wallaby Street semi,
     Wallace is in a quandry. There's no cheese in the fridge for his crackers. Wallace
     is partial to a bit of cheese. It's simply not the same having crackers without
     cheese, is it Gromit? Gromit is Wallace's long-suffering canine companion, all
     too aware of his companion's quirks and foibles - one of which being Wallace's
     apptitude for invention. And Wallace's 'grandest' plan is about to be revealed
     because - Eureka! - he decides that they'll go and find somewhere with cheese.
     And what better place to find it than on the moon?

     The one that kick-started the phenomenom that is Wallace and Gromit, the
     Oscar-winning plasticene double-act who invaded our hearts, minds and wallets
     through the nineties and into the new millenium. "A Grand Day Out" was filmed
     over a six year period by a then unknown student animator called Nick Park,
     working out of the National Film and Television School in Beaconsfield, Bucks.
     This first film makes for fascinating viewing still, especially when compared to the
     technical delights of the later Wallace & Gromit films. Look at the contrast in
     character design, see how Wallace's head is of thinner proportion without
     that famous extra-wide toothy smile. The animation is more staccato and the
     tale more simplistic, with odd incongruous elements like the looney lunar
     oven-thingy. The thumbprints in the plasticene remind you of the laborious
     processes involved. It's quite remarkable.

     Although the animation may be slightly less slick, the detail is all present and
     correct from the very first shot. Wallace's home and world is microscopically
     realised with its flock wallpaper and framed pictures, cracker boxes, holiday
     brochures, and more. Every nook and cranny of background space is filled
     with props and furniture and all are specifically pertinent to the character.

         

     This film broke new ground, not only technically, but arguably with its whole
     approach too. Here is an intensly worked and observed animated film that
     is also great fun. An animated Beano strip of sorts. It's accessible to the
     masses. And how. Wallace, Gromit, their rocket ship and ship's porthole
     have become licensing icons, gracing a thousand-and-one products,
     promotions and publications (witness Cracking Collectibles). The film was
     justly rewarded with an Oscar-nomination, but ironically lost out to another
     Nick Park film, the equally remarkable, and equally ground-breaking
     "Creature Comforts".

     Wallace and Gromit have gone on to even bigger and better things, of course.
     They've since foiled that devious jewel thief Feathers McGraw in "The Wrong
     Trousers", unmasked a mechanical sheep rustler in A Close Shave and
     revealed more of Wallace's remarkable inventions in the 'Cracking Contraptions'
     films. Better still, their first feature length adventure involved a Jeckyl and
     Hyde bunny and an extraordinary vegetable plot ..

    » One of the best visual puns in the film involves Gromit and a revolving
        rotor drill. The pun is so good it's referenced again in the third film,
        when Preston the cyberdog grabs Gromit's plane by the propeller...

 

    See also

    Curse of the Were-Rabbit
    A Close Shave 

 

    Broadcast info

   "A Grand Day Out" premiered on BBC2, 25th December 1993 at 5.40pm.

 

    A Close Shave on DVD

     W&G: Three Cracking Adventures
               Region 2 / BBC / October 2005

     Wallace and Gromit in 3 Amazing Adventures
               Region 1 / MCA Home Video / September 2005

 

      photographed and directed by Nick Park

     writer:                 Nick Park
                                with thanks to Steven Rushton
     music:                 Julian Nott
     sound fx
      & sound editing:   Adrian Rhodes, Danny Hambrook   
                               with thanks to Chris Billing
     rostrum camera:  Danny Boon, Jeremy Moorshead
     production:          Soozy Mealing
     editor:                 Rob Copeland   
     anim & design:     Nick Park
     additional
      modelmaking:      Janet Sanger, Michael Hort,
                                Michael Wright, Andrew Davies
     b/w dream seq:    Joan Ashworth, Andy Staveley and
                                Martin Greaves of 3 Peach Animation
     spec thanks to:     Peter Lord, David Sproxton,
                                Richard Goleszowski, Sara Mullock,
                                Melanie Cole, Glen Hall and
                                Alan Gardner of Aardman Animations
     voices:                 Peter Sallis (Wallace)

 

      On the web


       Wallace & Gromit
       Aardman's official W&G site...

 
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